Today the world of comedy lost one of its brightest stars. Jerry Lewis was no stranger to controversy during his decades-long career, but his impact on both Hollywood and comedy in general cannot be denied. From his early days as Dean Martin’s partner-in-crime to his career-capping turn in Martin Scorsese’s The King of Comedy — and countless box office success in the interim — Lewis’s impact on Hollywood will be a source of much discussion for years to come.
As a die-hard Stephen King fan, I have a theory: we need one or two filmmakers who truly understand his work to adapt all of his films. Take Frank Darabont. The writer-director has worked on three of King’s most successful adaptations - The Shawshank Redemption, The Green Mile, and The Mist - and seems to understand the world in King’s head better than any five other filmmakers put together. Given the current wave of ‘80s nostalgia, we’re likely to see more King books be adapted to film, and finding a cinematic King Whisperer would go a long way to avoiding middling adaptations like The Dark Tower.
They say the flame that burns brightest also burns quickest, which might explain America’s short-lived fascination with Anthony Scaramucci. Scaramucci was a singular political figure: from his methodical recreation of Donald Trump hand gestures to his, ah, poorly conceived late night phone calls, Scaramucci was immediately the most colorful character in an administration that already featured a surplus of memorable individuals. So when Scaramucci was fired from his official position as White House spokesperson, there was a half-ironic sense of loss, a feeling that we’d only begun to scratch the surface of Mooch madness.
This has been a good weekend for Planet of the Apes fans. Not only did we get our first look at some of the early buzz for the final film in the trilogy — buzz that suggest that War for the Planet of the Apes might just be the best and bleakest movie in the series yet — we’ve also been treated to a special Father’s Day trailer that explores the universal truths of fathers, sons, and legacy. Sentient apes or human, we’re all just trying to leave behind a better world for our children.
It’s the moment you’ve all been waiting for: Deadpool 2 is officially underway! Even though we’ve spent more than a year analyzing and talking about Ryan Reynolds’ merc with a mouth, the success of the original Deadpool movie is still kinda hard to believe. A $58 million R-rated superhero movie that went on to gross $780 million worldwide? A comic book movie that broke the mold so thoroughly that now every major studio is openly courting the R-rated crowd? Deadpool was a phenomenon, and none of us can wait to see if Reynolds and company are capable of avoiding the sophomore slump.
The moment a Hollywood franchise jumps the shark is kind of a mixed blessing. Take the Pirates of the Caribbean films, for example. While the latest entry in the franchise — Pirates of the Caribbean: Dead Men Tell No Tales — has received a good going-over by the critics, more than a few have taken this as an opportunity to revisit the success of the original film. On paper, absolutely nothing about Pirates of the Caribbean: The Curse of the Black Pearl should’ve worked, and yet, here we are, 14 years and three-point-five billion dollars later, still remembering how it took us all by surprise.
After breaking the record for the most trailer views in a single day, expectations couldn’t be higher for Andres Muschietti’s remake of It. It wasn’t long ago that this seemed like a project destined for trouble; the film’s original director — and still credited screenwriter — Cary Fukunaga dropped out of the production after the studio wouldn’t budge on letting him make an ‘unconventional’ horror film, causing fans to worry we were in for another bland adaptation of a Stephen King novel. All was forgiven, of course, when New Lined delivered that amazing first It teaser trailer, but could they keep it up?
Turn off your proton packs and fire up your Fleetwood Mac, it’s time for the latest edition of the ScreenCrush Weekend Box Office Report! There were few surprises to be found at the top of the list this weekend, but with a few big films nearing the end of their theatrical run, it’s a good time to take stock and see how things shook out. Here’s the projected grosses as of Sunday afternoon:
Despite its prime location in the heart of New York City, the Tribeca Film Festival has always been regarded more as a regional film festival than a destination for big world premieres. That being said, Tribeca does have one thing that other festivals lack: unfettered access to Robert De Niro, the festival’s co-founder and cinematic advocate for all things New York. This has made Tribeca a prime destination for anniversary screenings of some of the actor’s biggest films; in 2015, for example, Tribeca hosted a 25th anniversary celebration of Goodfellas with the cast and crew in attendance. And this year, De Niro has topped himself, bringing together the men and women behind The Godfather for a frank discussion about the film.
Cinephiles have film festivals, and audiophiles have music festivals, and never the twain shall meet. At least that was the case until Hans Zimmer took the Coachella Music Festival by storm twice in the last month. Just about a week ago, we shared the first video released by Coachella, a live performance of Zimmer’s soundtrack from Interstellar. And now the festival has followed up with a second performance, this time of Zimmer’s score for The Dark Knight (via Heroic Hollywood). If you’ve ever wanted to watch one of your favorite film composers shred like a rock star, well, here’s your chance (at least until John Williams decides to shock us all with his Mad Max: Fury Road-esque guitar gimp suit).
Would the horror genre work as the basis for a cinematic universe? It’s an interesting question. While horror films are certainly no strangers to sequels and prequels — there are eleven Friday the 13th movies, after all, and most of them are pretty much unrelated outside of their central villains — they are fairly reliant on individual characters to support the weight of new movies. There’s not enough depth to the Friday the 13th franchise to make a movie thatdoesn’t feature Jason Voorhees; for a horror film to truly inspire its own cinematic universe, you’d need a B-roll of characters who could each terrify audiences in their own right.
Ah, the Pokémon franchise. It seems like only yesterday that millions of people were wandering the streets of their hometowns, eyes locked to their smartphone screens as they flung Pokeballs at imaginary creatures hovering over local businesses. The Pokémon Go craze, with its innovative use of technology and beloved cartoon characters, brought the popular animated series back into the public spotlight. And with news that Legendary Pictures would shoot a new live-action Pokémon movie in 2017, it was only a matter of time before some of the original films found their way back into theaters.
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